January 2012
4 posts
Jan 27th
Jan 17th
Jan 6th
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Li’ Tat
Jan 4th
December 2011
9 posts
Surprise
One is making a kind of music in the way that one might make a garden. One is carefully constructing seeds, or finding seeds, carefully planting them and then letting them have their life. And that life isn’t necessarily exactly what you’d envisaged for them. It’s characteristic of the kind of work that I do that I’m really not aware of how the final result is going to look...
Dec 20th
Second Thoughts
I find for myself that my first thought is never my best thought. My first thought is always someone else’s; it’s always what I’ve already heard about the subject, always the conventional wisdom. It’s only by concentrating, sticking to the question, being patient, letting all the parts of my mind come into play, that I arrive at an original idea. By giving my brain a chance to make associations,...
Dec 20th
Navigating the Gap
Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work...
Dec 20th
Dec 20th
Dec 19th
Dec 12th
13 notes
Dec 12th
2,572 notes
Dec 12th
Dec 4th
November 2011
3 posts
Nov 16th
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Eagleman: Short Take
Nov 16th
Nov 10th
October 2011
6 posts
Oct 31st
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Butch Belair: To El and Back
Oct 11th
The Work II
What you need to know about the next piece is contained in the last piece. The place to learn about your materials is in the last use of your materials. The place to learn about your execution is in your execution. The best information about what you love is in your last contact with what you love. Put simply, your work is your guide: a complete, comprehensive, limitless reference book on...
Oct 7th
The Work I
When the work is about to commence, there has to be some tenuous notion of what will happen, but it is usually wrapped and hidden even from the person who will be doing the creating. An artist has a delicate sense of the work to come, and how it might become the perfect thing in the imagination, but historians and critics are wrong when they assume that it can be clearly seen in advance. No...
Oct 7th
Oct 7th
Oct 7th
September 2011
5 posts
Sep 26th
Sep 20th
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Tommy Kane: Red Hook
Sep 13th
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The Art of Breakfast
Sep 12th
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Scrapertown
Sep 6th
July 2011
1 post
Jul 27th
June 2011
7 posts
Jun 24th
1 note
Jun 22nd
: What is the Purpose of Schooling? →
willrichardson: Must read piece by Zoe Weil, who is more and more becoming a big influence in my thinking. It’s not that I haven’t had these same concerns, but she is articulating them in a way that I find really compelling. We must begin thinking about schools and schooling differently because, as she…
Jun 22nd
10 notes
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The Anxiety of Choice
Jun 22nd
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Shea Hembrey: 100 Artists
Jun 15th
1 note
Jun 5th
Jun 5th
May 2011
7 posts
May 31st
May 28th
May 23rd
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Harold Bloom
May 22nd
May 18th
May 9th
May 5th
April 2011
11 posts
Apr 25th
1 note
Apr 23rd
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Apr 9th